Jack Shappy / Robot’s Heart Design

Case 10 / Organic Doctor

A line that
tells the audience
what to do

A campaign platform built to run for two to three years without going stale — anchored on a line that works as both a brand promise and an instruction, so the same three words carry a photography system, a contest mechanic, and every channel from Instagram to a wheatpasted wall.

Client
Organic Doctor
Exclusive to CVS
Role
Creative Director & Art Director
Agency
iON Marketing Group?
Overhead flat lay of the full Organic Doctor range on white, organised by ingredient family: aloe and olive greens at top, coconut and tea tree, argan and manuka honey ambers, and rose otto reds at the base, styled with fresh botanicals.
The range, shot as one image. Product sorted by ingredient family — the colour system made visible in a single frame
Hand-lettered script reading find beauty everywhere overlaid in white on a photograph of a tropical waterfall with a figure standing at the water's edge.
The lockup. Hand-lettered script, textured white, sized to sit inside the photograph rather than on top of it

The brief

Organic Doctor is a British organic hair and skincare line sold exclusively through CVS in the US. The brief was awareness, but the real constraint was duration: the client wanted a platform that would run two to three years and stay modular enough to be updated as the range, the seasons and the culture moved. They also wanted contests and sweepstakes — a lot of them — built into the plan rather than bolted on.

The category problem is that organic beauty had converged on one look by then. Kraft tones, botanical line art, a lot of beige sincerity. Everything on the shelf was saying the same thing in the same voice, and the packaging already carried the botanical cues, so the campaign couldn’t just do more of that.

The approach

The line is “find beauty everywhere,” and the reason it holds a three-year platform is that it isn’t a claim — it’s an imperative. Most beauty taglines describe the product to you. This one tells the audience to go do something. That single grammatical choice is what lets the same three words function as a brand line on a poster, a caption on a Mother’s Day post, and the rules of a photo contest, without any of them feeling like a stretch.

I built the campaign as two photographic layers that never mix. The outer layer is aspirational and user-shaped: waterfalls, city waterfronts, campfires, a rope swing — the kinds of pictures the audience takes themselves, with the hand-lettered script laid into the image so it reads as a caption rather than a headline. The inner layer is the opposite: clinical white ground, product shot overhead, styled only with the actual ingredient. No lifestyle, no models, no props that aren’t in the bottle.

Keeping those layers separate is what makes the system modular. The lifestyle layer can be reshot or crowdsourced every season without touching product photography. The product layer can absorb new SKUs without needing a new campaign. And because each ingredient family already owns a colour — tea tree green, manuka amber, rose otto red, coconut cream, argan gold — a new product launch arrives with its art direction already decided. That’s the mechanism behind “easy to change with the times”: nobody has to invent anything, they just fill a slot.

The hand-lettering carries a rough, chalky texture rather than clean vector edges. On a brand whose entire proposition is that the ingredients are real and unprocessed, a perfectly smooth logotype would have contradicted the product.

What I made

I directed the campaign end to end — the platform and its rules, the photo shoot, and the channel work that came out of it. The shoot covered casting, styling, set and product styling, and produced both photographic layers in one production.

  • Campaign platform and identity — lettering, colour system, photographic rules
  • Product photography across every ingredient family, plus the full-range hero
  • Photo contest series and the sweepstakes mechanics around it
  • Organic social for Instagram and Facebook, including animated grid takeovers
  • Website hero and responsive treatment
  • Print — magazine spreads pairing the lifestyle image with ingredient stories
  • Out-of-home wild posting sequences carrying the CVS retail call to action

Where it landed

Sales rose 7% in a year the platform was running.

Define the 7% baseline, and add contest entry or engagement numbers if you have them

A platform designed to last three years, in a category that reinvents itself every twelve months.

Layer 01

Product photography

Shot overhead on white, styled with nothing but the ingredient itself — real roses for Rose Otto, cracked coconut for Virgin Coconut Oil, honeycomb and a dipper for Manuka. The prop is the proof. It’s the least fashionable way to shoot beauty product and the most credible.

Presentation slide showing three product groupings: Rose Otto with red roses on grey, Rose Otto on pink and gold with ribbon, and Virgin Coconut Oil with cracked coconut on yellow.
Ingredient sets. One family per frame; ground colour drawn from the ingredient, not chosen
Presentation slide titled Product in Situation showing three lifestyle shots: products among travel items on a rug, hands holding products over parquet, and a woman holding shampoo and conditioner.
Product in situation. The bridge between the two layers — product handled, not staged
Layer 02

The photo contest

The mechanic that turns the tagline into a activity. If the line instructs people to find beauty everywhere, the contest simply asks them to prove they did — which means the campaign generates its own future lifestyle photography instead of commissioning it. A stacked-photo icon sits under the lockup on every asset, changing to match the scene behind it.

Presentation slide showing a Facebook post for Mother's Day featuring Rose Otto products among red roses and petals, with a share-to-win caption and an eco-friendly trip to Spain as the prize.
Mother’s Day sweepstakes. Seasonal hook, Rose Otto set, share-a-photo mechanic — the platform doing calendar work
Layer 03

Social

The grid was designed as a composition rather than as a queue of posts — the waterfall hero anchors the centre and the ingredient sets alternate around it, so the profile reads as one image before anyone taps into a single post.

Presentation slide showing the Organic Doctor Instagram profile grid with six posts, alongside a photograph of snails on a white ground.
Grid plan. Six-post composition with the hero placed to land centre-screen
Presentation slide showing a hand holding a phone displaying the Organic Doctor Instagram grid against a bokeh night background.
In hand. Animated grid takeover shown at real scale
Presentation slide showing a hand holding a phone displaying the Organic Doctor Facebook page with the waterfall cover image.
Facebook. Same hero doing cover-image duty
Layer 04

Print, web & out of home

Where the two photographic layers finally meet on one surface. The print spread and the wild posting sequence use the same construction: lifestyle image on the left carrying the line, ingredient story and product on the right carrying the reason to buy — and, outdoors, the CVS lockup that tells you where.

Presentation slide showing hands holding open a magazine spread: waterfall image with the lettering on the left, a Tea Tree ingredient story and face wash product on the right.
Print spread. Lifestyle left, ingredient story right, hashtag as the hinge
Presentation slide showing the Organic Doctor website on a tablet and phone, with the find beauty everywhere hero over two women outdoors and a product carousel beneath.
Website. Hero over product carousel; lettering scales down without losing texture
Presentation slide showing a street-level wall of wheatpasted posters alternating lifestyle images with Tea Tree, Manuka Honey and Snail Gel ingredient panels, each carrying a CVS exclusivity flag.
Wild posting. Alternating lifestyle and ingredient panels — reads as a rhythm at walking pace
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